1 Sometimes I Wish I Was A Pretty Girl (2:10) 2 Kingdom Of Love (4:16) 3 Acid Bird (4:33) 4 The Cars She Used To Drive (3:07) 5 My Wife And My Dead Wife (3:56) 6 Brenda's Iron Sledge (3:07) 7 The Fly (3:45) 8 Only The Stones Remain (2:38) 9 Egyptian Cream (3:32) 10 Leppo And The Jooves (4:55) 11 America (4:18) 12 Heaven (3:52) 13 Listening To The Higsons (3:00) 14 The Face Of Death (3:33)

The long awaited follow up to their 2006 self-titled debut, which has enjoyed worldwide sales in excess of half a million albums.
Includes Bonus DVD with tutorials, exclusive interviews, & live concert footage !
11:11 was recorded in Ixtapa, Mexico and produced by Rodrigo y Gabriela, with John Leckie co-producing one of the tracks. The album was mixed in Wales and London by Colin Richardson, best known for his work with Slipknot and Trivium.
Comprising 11 new original compositions, 11:11 is the band s personal Gracias to 11 musicians, both past and present, who have inspired them along the way. Alex Skolnick of metal gods Testament guests on the album, as do widely respected acoustic veterans Strunz & Farah.
If their self-titled debut was a successful attempt at capturing the unbridled dynamic energy of their incendiary gigs (mostly recorded live in the studio, with very few overdubs); then the new album sees them developing their core sound into something more sophisticated, intricate and varied. At the heart of the sound is still the stunning interplay between Rodrigo s dazzling lead work and Gabriela s unique rhythm play; but the base soundscape is now subtly supplemented by percussion, occasional piano and a fresh arsenal of stringed instruments from around the world, including oud and sitar. And - whisper it quietly the introduction here and there of electric guitar.

It's hard to listen to zillions of recordings of the same music without becoming jaded. It's a problem that every classical music critic faces, and so it's understandable that there is always a tendency to welcome a new version of some standard repertoire with open arms just because it sounds different—even if the difference is musically dubious at best. Add to this general problem a healthy dose of provincial nationalism, plus a cozy relationship with both the performers and their record labels, and the result is a recipe that explains the success of Roger Norrington's Beethoven in the English musical press. And now that you've been warned, you can recognize it as the musically empty experience that it is—a novelty whose charm has worn off, and nothing more. For real Beethoven stick with George Szell on Sony—or any number of other conductors and recordings. —David Hurwitz

No Description Available.
Genre: Classical Music
Media Format: Compact Disk
Rating:
Release Date: 16-MAR-1993

No Description Available.
Genre: Classical Music
Media Format: Compact Disk
Rating:
Release Date: 16-MAR-1993

I'll See You in My Dreams 2. Royal Garden Blues 3. Saturday Night Function 4. Blue Drag 5. September Song 6. Limehouse Blues 7. I Surrender Dear 8. St. Louis Blues 9. Louisiana Fairy Tale 10. I Found a New Baby